Live reviews

Guitarist Justin Adams and Moroccan Gnawa master musician Mohamed Errebbaa lift the spirits of Firth Hall audience.

A veteran of politically-charged British poetry plays to a packed house at Firth Hall for Off The Shelf. All truth – no dubs.

With an eclectic set of venues ranging from the Cathedral to a grimy rave cave, the sixth edition of No Bounds offered a programme that was both inspiring and life-affirming.

As Steven Waters' climate-emergency call to arms Resilience arrives in Sheffield, reviewer Paul Szabo describes it as "pleasingly funny, worryingly accurate and frighteningly concerning".

A display of delightful insanity by Daniel Rigby as the Maniac, combined with simple but impactful lighting and set design, makes for a powerful reboot of the 20th-century classic.

Can the biggest band you've never heard of do it on a Sunday night in Sheffield?

Despite terrific song choices, Rush Theatre's black history production fails to come together as intended, ultimately coming across as unenthusiastic and disjointed.

Art-rock four-piece surprise with a pedal-heavy, cinematic set.

Two years late but more relevant than ever: why Britain needs Grace Petrie.

Captions, in-built audio description and BSL integrated into the production made Much Ado About Nothing even more accessible to the audience, says Paul Szabo.

Taking place at venues across Sheffield, Strange Days’ triumphant one-day extravaganza had Prima Queen, Modern Woman and Everything Everything in between.

Northern Ballet's The Little Mermaid is "packed full of imagination, creative choreography and charm".

The power pop veterans play classic album Seamonsters in full, alongside other anthems of love and loss.

The Mancunian foursome delight a spirited Sheffield crowd with a set spanning their entire career to date.

River Hawley brings his flow to a much-loved Sheffield stage.

The real stars of School of Rock were the children, who sing and play live on stage, says reviewer Paul Szabo.

Jodie Comer's performance in Prima Facie invoked "pure, unadulterated grief", Emily Finan writes for Now Then.

Returning to The Leadmill after three years, indie rockers Bombay Bicycle Club performed a set full of fan favourites ahead of their run of summer festivals.

During a time that saw Sheffield sweltering as record temperatures hit the country, it seemed fitting that Singin’ in the Rain washed into the Lyceum Theatre this week.

Playing their biggest headline show to date, Minds Idle’s sell-out Leadmill gig shows huge promise for the new Sheffield band.