With an eclectic set of venues ranging from the Cathedral to a grimy rave cave, the sixth edition of No Bounds offered a programme that was both inspiring and life-affirming.
As Steven Waters' climate-emergency call to arms Resilience arrives in Sheffield, reviewer Paul Szabo describes it as "pleasingly funny, worryingly accurate and frighteningly concerning".
A display of delightful insanity by Daniel Rigby as the Maniac, combined with simple but impactful lighting and set design, makes for a powerful reboot of the 20th-century classic.
Despite terrific song choices, Rush Theatre's black history production fails to come together as intended, ultimately coming across as unenthusiastic and disjointed.
Captions, in-built audio description and BSL integrated into the production made Much Ado About Nothing even more accessible to the audience, says Paul Szabo.
Taking place at venues across Sheffield, Strange Days’ triumphant one-day extravaganza had Prima Queen, Modern Woman and Everything Everything in between.
Returning to The Leadmill after three years, indie rockers Bombay Bicycle Club performed a set full of fan favourites ahead of their run of summer festivals.
During a time that saw Sheffield sweltering as record temperatures hit the country, it seemed fitting that Singin’ in the Rain washed into the Lyceum Theatre this week.
