Hardcore Transylvanian dance music: Ando Glaso Collective at TalkingGigs
Scotland’s Roma music project dazzle Firth Hall with an eclectic selection of soul-searching torch songs and riotous dance numbers.
Formed in Glasgow in 2019, the Ando Glaso Collective are a unique
group of musicians dedicated to exploring a diverse range of Roma
music originating from across eastern Europe.
During the
conversational half of this TalkingGigs performance, the group’s
musical director Janos Lang expresses his hope that they will one day
be able to expand to become an entire Roma orchestra. In the
meantime, and in between chat with TalkingGigs programmer Alasdair
Dempster, Lang invites the Polish, Romanian and Slovakian sections of
the band to the microphone in turn to share their local variations on
this deep musical tradition.
The Polish
performance highlights the group’s two lead singers alongside
accordion and bass, while the Romanian section starts with
plaintive, yearning violin before morphing into an upbeat dance tune
thanks to Lang’s spirited playing.
After the Slovakian showcase brings acoustic guitar to the mix, Lang speaks of how the group aims to connect Scotland’s often isolated Roma communities to each other and to their shared “intangible cultural heritage”.
In the second half, like in ‘Young Person's Guide to the
Orchestra’, we got to hear what it sounded like all together. The
effect was more than the sum of its (already impressive) parts. With
full nine-piece band in effect, the group launches into a series of
classic Roma folk tunes and dance numbers. This is lyrical,
full-bodied music, where the expressive violins pick out a vocal line
even when nobody’s singing. The wandering basslines are especially
enjoyable – the bass seems free to explore a full range of musical
expression, untethered from its more pedestrian role in English folk
culture.
The sharp-dressed
group alternate between two modes: more reflective, soul-searching
songs that benefit from the expressiveness of singers Mania and Diana Mastej,
and more upbeat dance numbers that rattle along with a velocity and
momentum that suggests they could play in perpetuity. The third tune
adds rich and emotive accordion playing, while the fifth brings
Latin grooves to the fore.
By the encore, a 30-strong impromptu
dancefloor has formed at the front of Firth Hall, and the band oblige
with what Lang describes as “hardcore dance music from
Transylvania”.
Playing on International Women’s Day, the final tunes are dedicated to women in Palestine, earning a thunderous round of applause. Called back for a second encore by a restless dancefloor, the group launch into a slow jam that switches up halfway through, transforming into a riotous and free-spirited boogie.
The TalkingGigs performance was raising money for asylum charity ASSIST Sheffield.