Performing at Clams In Their Eyes, I’d never felt more authentically me
Delicious Clam's annual New Year’s Eve extravaganza – a local version of Stars In Their Eyes – makes me happy to be alive, says performer-for-the-night Elaine Robertson.
How much velcro do you need to create a full-length tear-away gown?
Is six packs of rhinestones excessive? It’s 27 December and in four
days I will be performing at Clams In Their Eyes.
Truth be told this
is only the fourth time I’ve been to Sheffield. I’m from
Newcastle and visited for the first time in July for Clamlines,
Delicious Clam’s fringe event for Tramlines. I was meeting my
boyfriend Dan’s pals. His brother Ben and friends Ed, Joseph and a
gentleman known as CK Brown (he only ever wears brown) run the DIY
gig space. I drank a stupid amount, got up on the karaoke and – in
my mind, at least – absolutely destroyed a Britney classic.
Having also
experienced Halloween in Sheffield – at which Dan was part of the
headline act with the rest of the Delicious Clam gang, a doo wop band
featuring all mutant rats – I thought I knew what to expect from Delicious Clam’s annual New Year’s Eve extravaganza.
Each of us submitted an
audition tape as part of the application process for Clams In Their
Eyes but at no point were any of us asked to demonstrate if we could
actually sing. For Dan’s, I filmed him sprinting around Tyneside
beach on a summer’s day in little shorts as he ‘trained’ for the show. I recorded mine over me eating a
packet of crisps and watching telly because I’m a last-minute
queen. We were both shortlisted. Dan booked a rehearsal room in
Gateshead so we could practice our singing.
When we arrived at Network on
the day, the Delicious Clam lot had already been there setting up for
four days and it quickly became clear that this was going to be much
bigger and much sillier than Halloween; CK Brown, soon to be the host
with the most for the night as Matthew Clammy, was on stage on a
hoverboard, informing three of the extensive team of volunteers how a
gag about tumbleweed was going to work.
They were expecting
600 people. I was very glad that Dan decided to book that rehearsal
room. These guys weren’t here to fuck around. This was elite-level
karaoke.
The show opened with
Matthew Clammy smashing through a set of fake doors to pyrotechnics
and shooting a t-shirt cannon into the crowd. People aptly lost their
shit. The performers, including myself, flitted nervously between
preparing back stage and watching the show.
First on was Britney
(you better believe it’s Britney) Bitch. She was an absolute icon.
She told me she’d been practising the ‘Oops I Did It Again’
dance in her bedroom since realising she got through. She was living
all our Britney fantasies and watching her live hers made me feel
weirdly emotional. In between the acts, Mystic Meg came on and
predicted the future.
Next we had The Carpenters, who commanded the stage with their pitch-perfect cover of ‘Please Mr Postman’, featuring about 100 letters cascading onto the audience, a foam finger, a postie strike and an unintentional attack from a flying rubber goose which clean wiped out Karen Carpenter. She continued singing in the most dramatic on-stage recovery I’ve seen.
Dan was up next. We
watched the stupid video we made on the beach play out to the
Sheffield masses and then it was time for his Q&A with Matthew
Clammy, involving a health check with a real nurse, his brother Ben
and the tumbleweed gag. I was so proud watching Dan smash his
top-rated karaoke classic, The Ramones’ ‘Baby, I Love You’, in
front of the most game audience I’ve ever seen, as everyone swayed
along and sang backing vocals.
Next up was
Delicious Clam man Ed and volunteers Apple and Harry as the
Beastie Boys. Ed led the rapping and the routine ended in a fight
between an octopus man and a robot which Dan and Bruce said was
better than the actual
video for ‘Intergalactic’.
Oh shitting hell,
it’s my turn! I ran up to the stage to Doja Cat’s ‘Boss Bitch’.
I danced a bit with Matthew Clammy and then shot the t-shirt cannon
out of my arse to a crowd of 600 people. I’ve never felt more
authentically me. Looking out at the crowd, I knew I had made the
right choice and that you can never overdo the rhinestones. “Tonight
Matthew, I’m going to be Elsa from Frozen.”
The girls and the gays imploded as I waved and ran to get changed. Then the music began and I knew the next few minutes would create a new core memory. I chucked my crown, my cape and about six pints of biodegradable glitter over the audience. I’m very glad to have met Jenn, who with Ben had hand-painted my ice palace stage prop, and I nearly died getting stuck in the tearaway I’d spent a lovely day between Christmas and New Year’s Eve learning how to sew. When it eventually came off and I hit the (or, probably, a) big note at the end, I felt like goddamn Idina Menzel herself.
My recollection of
the rest of the night is light on details, but I danced in my cape to
the most elegant and silly Björk, Limp Bizkit (which the audience
lost their minds to) and finally Meatloaf. The Delicious Clam team
brought the New Year in for us, and we danced and twirled as the
Beastie Boys claimed the crown and surfed the crowd.
Clams In Their Eyes
is the product of taking ‘wouldn’t it be funny if…’ and then
completely committing to it. It’s weird to feel so proud and in awe
of a bunch of people, a scene and a place I only encountered four
months ago, but there’s something about witnessing six or so adults
throw themselves into a stupid project with sheer professionalism
that makes me happy to be alive.
Maybe we can all agree that t-shirt cannons will only add to an event and that daft for daft’s sake must be protected at all costs.