Arliston Even In The Shade
The London-based duo mesmerise with a heady mix of circumspection, melancholia and symbiotic sonics which is utterly enthralling.
It's
best for everyone concerned that we address the elephant in the room
from the get-go. Jack
Ratcliffe – lead vocalist of Brixton-based newcomers Arliston –
evokes vocalist and songwriter Matt Berninger of American titans
The National.
There.
I said it. And do you know what? Who cares?
Because
Ratcliffe's vocalisation and extraordinary lyrical dexterity,
combined with an expressionism that drips liquid emotion and angst, is unique, adding exquisite layer on layer of
gravitas to this superb five-song EP.
First,
some salient information. Arliston – the aforementioned Ratcliffe and
George Hasbury – hail originally from Aldgate, London and started sharing "a mutual love of miserable indie
music" in 2018, before moving to south London to release this
follow-up to lockdown EP The Ground Might Disappear.
Citing
Bon Iver and Alt-J as influences, the duo have constructed a set of
songs that explore the emotional juxtaposition of strength in
fragility, cleverly unpacking vital signs of hope, all set within a
shroud of melancholia that melds perfectly with beautifully symbiotic
sonics.
First single 'Mothering' oozes quality, shining a light on the
circumspect and thoughtfully restrained musicianship of interlocking
pianos and guitars, all delicately stitched together by the
mixing and mastering skills of Brett Shaw (Florence & The Machine,
Foals) of 123 Studios.
"It's too easy nowadays to
use all the toys on every song!" Hasbury
explains. "But with "Mothering" I
think we've managed to get a real sense of groove and momentum into a
small arrangement".
The
clever phrasing of 'Hold My Wine' is the perfect
counterpoint. The band themselves describe the song's theme as "that
moment when you achieve a moment of recognition that everyone else
has grown and developed whilst you've stayed the same. Plus, we like
the silly middle-class pun on 'hold my beer.'"
Ben
Folds-esqe piano is channelled to great effect on 'Sydenham
Place', while 'Tombstone Teeth' combines a simple
acoustic guitar melody with an evocative falsetto vocal.
The closer
and real tour de force here is the exceptional 'TV Dinner', a
song of masterful quality drawing on the oft-told story of an
all-consuming love that just can't escape an all-subsuming emotional
straight jacket.
Ratcliffe's
emotive lyric expertly captures the mood: "On the north borders /
Of a quiet moment / With your TV dinner tray / By a wide margin / You
were safeguarding / Yourself from everything."
There
are sonics to admire here too as, like skilled craftsmen, guitars,
blips, squalls, scratches and drone washes are selected and
integrated with surgical precision. It's a beautifully
glorious yet dolorous slice of circumspection.
On this evidence, Arliston are at that happy developmental point as a band where they hold complete mastery over their lyrical and musical palette. It's just a question of what type of sonic stories they wish to tell, and how emotionally experimental they want to be. Utterly enthralling.