Featuring queer friendships at its core, The Way Old Friends Do is centred around ABBA but is not a musical. What did reviewer Paul Szabo make of this Lyceum production?
Nightmare Magic by David Alnwick nestles itself somewhere between a one-man play, a magic show and piece of well-imagined storytelling. Paul Szabo reviews the horror-inspired event.
What happens when you put RuPaul's Drag Race stars in a camp horror parody of the Sound of Music and Sister Act? Paul Szabo went to the Lyceum to find out.
As Steven Waters' climate-emergency call to arms Resilience arrives in Sheffield, reviewer Paul Szabo describes it as "pleasingly funny, worryingly accurate and frighteningly concerning".
Despite terrific song choices, Rush Theatre's black history production fails to come together as intended, ultimately coming across as unenthusiastic and disjointed.
Captions, in-built audio description and BSL integrated into the production made Much Ado About Nothing even more accessible to the audience, says Paul Szabo.
"It made me feel like a second-class member of the audience. Like an afterthought.": Blind actor and Agent of Change speaks to Now Then about accessibility in theatres.
During a time that saw Sheffield sweltering as record temperatures hit the country, it seemed fitting that Singin’ in the Rain washed into the Lyceum Theatre this week.
Combining visual gags, slapstick, farce, word play, one liners, missed cues and a rather more animated corpse than one would expect, The Play That Goes Wrong does not disappoint.
With three full-length plays in three Sheffield Theatres venues, Rock / Paper / Scissors is, according to reviewer Paul Szabo, "as Sheffield as they come".
Five years after premiering on the Sheffield stage, everybody is still talking about Jamie as the show returns to its spiritual home in the steel city.
