Stage

Despite terrific song choices, Rush Theatre's black history production fails to come together as intended, ultimately coming across as unenthusiastic and disjointed.

Captions, in-built audio description and BSL integrated into the production made Much Ado About Nothing even more accessible to the audience, says Paul Szabo.

Northern Ballet's The Little Mermaid is "packed full of imagination, creative choreography and charm".

Comedian Mark Thomas talks politics, the "iconic" Leadmill and community resilience, ahead of his Black and White tour appearance in Sheffield.

"It made me feel like a second-class member of the audience. Like an afterthought.": Blind actor and Agent of Change speaks to Now Then about accessibility in theatres.

The real stars of School of Rock were the children, who sing and play live on stage, says reviewer Paul Szabo.

Jodie Comer's performance in Prima Facie invoked "pure, unadulterated grief", Emily Finan writes for Now Then.

During a time that saw Sheffield sweltering as record temperatures hit the country, it seemed fitting that Singin’ in the Rain washed into the Lyceum Theatre this week.

Combining visual gags, slapstick, farce, word play, one liners, missed cues and a rather more animated corpse than one would expect, The Play That Goes Wrong does not disappoint.

Reviewer Paul Szabo takes a look at Chicago, currently being performed at the Lyceum, and compares 1920s vaudeville to Instagram today.