As Steven Waters' climate-emergency call to arms Resilience arrives in Sheffield, reviewer Paul Szabo describes it as "pleasingly funny, worryingly accurate and frighteningly concerning".
A display of delightful insanity by Daniel Rigby as the Maniac, combined with simple but impactful lighting and set design, makes for a powerful reboot of the 20th-century classic.
Despite terrific song choices, Rush Theatre's black history production fails to come together as intended, ultimately coming across as unenthusiastic and disjointed.
Captions, in-built audio description and BSL integrated into the production made Much Ado About Nothing even more accessible to the audience, says Paul Szabo.
"It made me feel like a second-class member of the audience. Like an afterthought.": Blind actor and Agent of Change speaks to Now Then about accessibility in theatres.