Despite terrific song choices, Rush Theatre's black history production fails to come together as intended, ultimately coming across as unenthusiastic and disjointed.
Captions, in-built audio description and BSL integrated into the production made Much Ado About Nothing even more accessible to the audience, says Paul Szabo.
"It made me feel like a second-class member of the audience. Like an afterthought.": Blind actor and Agent of Change speaks to Now Then about accessibility in theatres.
During a time that saw Sheffield sweltering as record temperatures hit the country, it seemed fitting that Singin’ in the Rain washed into the Lyceum Theatre this week.
Combining visual gags, slapstick, farce, word play, one liners, missed cues and a rather more animated corpse than one would expect, The Play That Goes Wrong does not disappoint.